ABSORPTION
COEFFICIENT
We know that all the sound waves when
pass through as open window passes through it. Thus, we can say that the open
window behaves as a perfect absorber of sound and hence the absorption
coefficient can be defined as the rate of sound energy absorbed by a certain
area of the surface to that o an open window of same area.
Definition: The absorption coefficient
of a surface is defined as the reciprocal of its area which absorbs the same
amount of sound energy as absorbed by a unit o an open window.
For example if 2m2 of a
carpet absorbs the same amount of sound energy as absorbed by 1 m2
of an open window, then the absorption coefficient of the carpet is 1.2=0.5.
The absorption coefficient is measured in open window unit (O.W.U) or Sabines.
1
Average absorption coefficient
The average absorption coefficient is
defined as the ratio between the total absorption in the hall to the total
surface area of the hall.
2
Measurement of sound absorption coefficient
Let us consider a smaple for which the
absorption coefficient (am) is to be measured. Initially without
this material the reverberation time in a room and again the reverberation time
is measured and let it be T2.
Then rom Sabine’s ormula
For Case (1) i.e. without the sample
Here, by knowing the terms on the right
hand side the absorption coefficient of the given sample can be determined.
3
ACTORS AFFECTING THE ACOUSTICS OF BUILDING
We know, when sound waves are produced
in a hall, it reaches the observer directly as well as after reflections from
walls, floors, ceilings, etc. Thus there is a possibility for causing
interference between these waves, which in turn affects the originality of the
sound produced.
The actors affecting the acoustics
(sound) of building are as follows.
i.
Unoptimised reverberation time
ii.
Very low or very high loudness
iii.
Improper focusing of sound to a
particular area, which may cause interference
iv.
Echoes or echelon effects produced
inside the buildings
v.
Resonance caused due to matching of
sound waves.
vi.
Unwanted sound rom outside or inside the
building, so called noise may also affect the acoustics o buildings.
3.1 OPTIMUM REVERBERATION TIME AND
ITS REMEDY
We
know Reverberation time is the taken for the sound to fall to one millionth o
its original sound intensity, when the source of sound is switched off.
This
reverberation time is high then it produces, echoes in the hall and if the
reverberation time is very low, the sound will not be cleary heard by the
audience. Therefore, for clear audibility, we should maintain optimum
reverberation.
The
optimum reverberation time can be achieved by the following steps
1.
By having the full capacity o audience
in the auditorium.
2.
By choosing absorbents like felt, fiber,
board, glass etc inside the auditorium and even at the back of chairs.
3.
Reverberation time can be optimized by
providing windows and ventilators at the places wherever necessary and using
curtains with folds or the windows.
4.
The reverberation time can also be
optimized by decorating the walls with beautiful pictures.
The
optimum reverberation time will not be constant for all types of building; it
varies from one building to another as follows.
i.
For concert halls, the speech should
have the optimum reverberation time of 0.5 seconds and music should have the
optimum values o 1 or 2 seconds
ii.
For auditorium, or theatres, the optimum
reverberation time should be between 1.1 to 1.5 seconds for smaller area and between
1.5 to 3 seconds for larger area.
3.2 Loudness and its remedy:
We
know loudness is the degree of sensation produced on the ear; it varies from
observer to observer. But, it is found that for a single observer the loudness
varies from one place to another in the same auditorium. This defect is caused
due to the bad acoustical construction of buildings.
The
loaudness will be very low in some area and will be very high in some areas. It
can be optimized by the following remedies.
Remedies
i.
Loudspeakers should be placed at the
places where we have low loudness.
ii.
The loudness can also be increased by
making reflecting surfaces, wherever necessary
iii.
Loudness can be increased by
constructing low ceilings
iv.
Absorbents are placed at the places
where we have high loudness.
Thus,
the loudness should be made even, all over the auditorium, so that the observer
can hear the sound at a constant loudness at all the places.
3.3 FOCUSSING AND INTERFERENCE EFFECTS
In
some places of a hall, the sound will not be heard properly and that place is
said to be a dead space, which is due to presence of convex or concave surfaces
in the hall as shown in the figure. Sometimes the sound waves will have
interference pattern because of ceiling surfaces which will create maximum
intensity of sound(due to constructive interference) in some places and minimum
intensity of sound(due to destructive interference) at some places and hence
causing uneven distribution of sound intensity in the hall and hence causing
uneven distribution of sound intensity in the hall.
Remedies
i.
By avoiding curved surfaces (or)
covering the curved surfaces by suitable absorbents the focusing can be
avoided.
ii.
By evenly polishing and decorating with
absorbents the interference effects can be avoided.
3.4 ECHOES AND ECHELON EFFECT
In
some halls, the walls o the halls will scatter the sound waves rather than
reflecting it, thus way create nuisance effect due to echoes. The echoes are
formed when the time interval between the direct and reflected sound waves are
about 1/15th of a second. This effect occurs due to the reason that
the reflected sound waves reaches the observer later than the direct sound.
If
there is a greater repetition of echoes of the original sound to the observer
then the effect is called as Echelon effect.
Remedies
The echo can be avoided by lining the surfaces
with suitable sound absorbing materials and by providing enough number of doors
and windows.
3.5 RESONANCE
Resonance
occurs when a new sound note of frequency matches with standard audio
frequency. Sometimes, the window panel, sections of the wooden portion is
thrown into vibrations to produce new sounds, which results in interference
between original sound and created sound. This will create disturbance to the
audience.
Remedies
i.
The resonance effect can be avoided by
providing proper ventilation and by adjusting the reverberation time to the
optimum level.
ii.
Nowadays the resonance is completely
eliminated by air conditioning the halls.
3.6 NOISE
Noise
is an unwanted sound produced due to heavy traffic outside the hall which leads
to displeasing effect on the ear. There are three types of noises.
i.
Air Borne noise
ii.
Structure Born Noise
iii.
Inside Noise
All
these three noises pollute the area at which it has been produced and create
harmful effects to the human beings. Fortunately human beings have the
capability to reject the sound within certain limits with conscious efforts and
to carry on his normal work. But sometimes the noises are strong which results
in the following effects.
3.7 EFFECTS PRODUCED DUE TO NOISE
POLLUTION
·
It produces mental fatigue and
irritation.
·
It diverts the concentration on work and
hence reduces the efficiency of the work.
·
It sometimes affects the nervous system
and lowers the restorative quality of sleep.
·
Some strong noises leads to damage the
eardrum and make the worker hearing impaired.
·
The noises which are produced regularly
will even retard the normal growth of infants and young children.
a. AIR BORNE NOISE
The
noise which reaches the hall through open windows, doors, and ventilations are
called as air borne noise. This type of noise is produced both in rural areas
[natural sound of wind and animals] and in urban areas] noise that arises from factories,
aircrafts, automobile, trains, Flights etc.
REMEDIES
i.
By making the hall air conditioned, this
noise may be eliminated
ii.
By allotting proper places or doors and
windows, this noise can be reduced.
iii.
It can be further by using double doors
and windows with separate rames and by pacing the absorbents in-between them
b. STRUCTURE BORNE NOISE
The
noise that reaches the hall through the structure of the building is termed as
Structure Borne noise. Those types of noise produced inside the building, which
may be due to the machinery operation, movement of furniture’s footsteps etc
and these sounds will produce structural vibration giving rise to the Structure
Borne Noise.
REMEDIES
i.
By properly breaking the continuity
of the interposing layers by some acoustical insulators this type of noise can
be avoided.
ii.
By providing carpets, resilent,
antivibration mounts etc., this type of noise can be reduced.
c. INSIDE NOISE
The
noises that are produced inside the halls is known as inside noise. Or example
in some offices the sound produced by machinery, type writers ect produces this
type of noise.
REMEDIES
i.
By placing the machineries and type
writers over the absorbing materials or pads this type of noise can be reduced.
ii.
It can be reduced by covering the floors
with carpet.
iii.
By fitting the engine on the floor with
a layer of wood or elt between them this type of noise can be avoided.
4 FACTORS TO BE FOLLOWED FOR GOOD
ACOUSTICS OF BUILDING
To
have a clear audibility of sound have an optimum level
i.
The reverberation time should have an
optimum level
ii.
The sound must be evenly distributed to each
and every part of the building.
iii.
There should not be any focusing of
sound to any particular area.
iv.
Each and every syllable of sound must be
herd clearly and distinctly, without any interference.
v.
There should not be any echoes, echelon
effects and resonance inside the buildings.
vi.
The building should be made as sound
proof building, so that external noises may be avoided.
vii.
Generally to say the total quality o
sound should be maintained all over the building to all the audience.
Related Topics
Privacy Policy, Terms and Conditions, DMCA Policy and Compliant
Copyright © 2018-2023 BrainKart.com; All Rights Reserved. Developed by Therithal info, Chennai.