History : Kanishka (78 - 120 A.D.)

Kanishka (78 - 120 A.D.)

Kanishka was the most important ruler of the Kushana dynasty. He was the founder of the Saka era which starts from 78 A.D. He was not only a great conqueror but also a patron of religion and art.

Kanishka's Conquests

At the time of his accession his empire included Afghanistan, Gandhara, Sind and Punjab. Subsequently he conquered Magadha and extended his power as far as Pataliputra and Bodh Gaya. According to Kalhana, Kanishka invaded Kashmir and occupied it. His coins are found in many places like Mathura, Sravasti, Kausambi and Benares and therefore, he must have con-quered the greater part of the Gangetic plain.

He also fought against the Chinese and acquired some territories from them. During the first expedition he was defeated by the Chinese general Pancho. He undertook a second expedition in which he was successful and he scored a victory over Panyang, the son of Pancho. Kanishka annexed the territories of Kashgar, Yarkand and Khotan into his empire.

The empire of Kanishka was a vast one extending from Gandhara in the west to Benares in the east, and from Kashmir in the north to Malwa in the south. His capital was Purushapura or modern day Peshawar. Mathura was another important city in his empire.

Kanishka and Buddhism

Kanishka embraced Buddhism in the early part of his reign. However, his coins exhibit the images of not only Buddha but also Greek and Hindu gods. It reflects the Kanishka's toleration towards other religions. In the age of Kanishka the Mahayana Buddhism came into vogue. It is different in many respects from the religion taught by the Buddha and propagated by Asoka. The Buddha came to be worshipped with flowers, garments, perfumes and lamps. Thus image worship and rituals developed in Mahayana Buddhism.

Kanishka also sent missionaries to Central Asia and China for the propagation of the new faith. Buddhist chaityas and viharas were built in different places. He patronised Buddhist scholars like Vasumitra, Asvagosha and Nagarjuna. He also convened the Fourth Buddhist Council to discuss matters relating to Buddhist theology and doctrine. It was held at the Kundalavana monastery near Srinagar in Kashmir under the presidentship of Vasumitra. About 500 monks attended the Council. The Council prepared an authoritative commentary on the Tripitakas and the Mahayana doctrine was given final shape. Asvagosha was a great philosopher, poet and dramatist. He was the author of Buddhacharita. Nagarjuna from south India adorned the court of Kanishka. The famous physician of ancient India Charaka was also patronized by him.

Gandhara Art

The home of the Gandhara school of art is the territory in and around Peshawar in northwestern India. The best of the Gandhara sculpture was produced during the first and second centuries A.D. It originated during the reign of Indo-Greek rulers but the real patrons of this school of art were the Sakas and the Kushanas, particularly Kanishka. Gandhara art was a blend of Indian and Graeco-Roman elements. Specimens of Gandhara sculpture have been found in Taxila, Peshawar and in several places of northwest India. The Gandhara school made sculptures of the Buddha in various sizes, shapes and postures. The reliefs depict Buddha's birth, his renunciation and his preaching. The salient features of Gandhara art are:

          Moulding human body in a realistic manner with minute attention to physical features like muscles, moustache and curtly hair.

          Thick drapery with large and bold fold lines.

          Rich carving, elaborate ornamentation and symbolic expressions.

          The main theme was the new form of Buddhism - Mahayanism

- and the evolution of an image of Buddha.

A large number of monasteries were also built from first to fourth centuries A.D. Ruins of about fifteen monasteries were found in and around Peshawar and Rawalpindi. The Buddhist stupas erected during this period had Graeco-Roman architectural impact. The height of the stupa was raised and ornamentation was added to the structure of the stupa. These changes made the stupa more attractive.

Mathura School of Art

The school of art that developed at Mathura in modern Uttar Pradesh is called the Mathura art. It flourished in the first century A.D. In its early phase, the Mathura school of art developed on indigenous lines. The Buddha images exhibit the spiritual feeling in his face which was largely absent in the Gandhara school. The Mathura school also carved out the images of Siva and Vishnu along with their consorts Parvathi and Lakshmi. The female figures of yakshinis and apsaras of the Mathura school were beautifully carved.

Successors of Kanishka and end of Kushana Rule

The successors of Kanishka ruled for another one hundred and fifty years. Huvishka was the son of Kanishka and he kept the empire intact. Mathura became an important city under his rule.

Like Kanishka he was also a patron of Buddhism. The last important Kushana ruler was Vasudeva. The Kushana empire was very much reduced in his rule. Most of his inscriptions are found in and around Mathura. He seems to have been a worshipper of Siva. After Vasudeva, petty Kushan princes ruled for sometime in northwestern India.